Flanagan said, "The boom operator was constantly coming around for the mic coming across the counter, or this particular footfall, or the way a door closes.
Instead, the audience is left to concentrate on the audio cues that Maddie cannot hear. That doesn't mean that the film is silent.
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I'd go outside and try to figure out how to get through the sliding glass door, and she'd be in the kitchen, trying to look for what weapons were available." The end result was a script that didn't look anything like a normal movie: Flanagan said, "It looked like a chunk of stage direction." For us, we'd come in the room and we wouldn't come near the computer. Normally when you're writing with a partner, you're bouncing dialogue off each other, you're performing scenes that way. With this simple idea, Flanagan and Siegel headed to the Stanley Hotel (inspiration for Stephen King's The Shining) and booked the legendarily haunted room 217: Then, Siegel said, "We drank a ton of whiskey and finished the rest of this movie."įlanagan called those days "the weirdest writing sessions that I'd ever been a part of. But without the simple cues of hearing his footsteps, or broken glass, will she even know he's there? One night, a masked stranger (John Gallagher Jr.) tries to break in, with malevolent intent. Maddie (Siegel) is a successful author who lost her hearing as a child. That conversation became sealed-room thriller Hush, which debuted at SXSW and reaches Netflix on April 8.
From there, we started bouncing back and forth on who would be someone that could turn a fairly basic premise on its head?" Finally, Siegel said, "I was talking about a recurring fear that I have in the house of walking past a face in the window. Then Flanagan mentioned he wanted to make a dialogue-free film. One night, Hush director Mike Flanagan and star Kate Siegel were dining, discussing nontraditional heroines, home invasion movies, and their shared love of 1967's Wait Until Dark, starring Audrey Hepburn as a blind woman besieged by thieves.
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